引論：經(jīng)典文論的三個(gè)基本體系及其在后世的流變 ······················1 一、經(jīng)典樂(lè)論 ·································································1 二、經(jīng)典詩(shī)論 ·································································7 三、經(jīng)典“文”論 ························································· 13 第一章 中國(guó)早期詩(shī)學(xué)的性質(zhì)、分野及與西方早期詩(shī)學(xué)的比較 ······ 21 一、早期詩(shī)學(xué)與文人詩(shī)學(xué)················································· 22 二、早期詩(shī)學(xué)的幾種類型················································· 25 三、作為作者自敘型開(kāi)端的《詩(shī)經(jīng)》《楚辭》的詩(shī)論 ··············· 28 四、早期詩(shī)學(xué)理論體系的形成及其與西方詩(shī)學(xué)的比較 ············· 33 五、“樂(lè)”作為中西印詩(shī)學(xué)的共同概念與其不同的展開(kāi)途徑 ······ 37 六、中西早期詩(shī)學(xué)在學(xué)術(shù)形態(tài)上的同異 ······························· 40 第二章 早期詩(shī)學(xué)的發(fā)展進(jìn)程：從王官詩(shī)學(xué)、行人詩(shī)學(xué)到諸子詩(shī)學(xué) ····· 42 一、王官詩(shī)學(xué) ······························································· 43 二、行人詩(shī)學(xué) ······························································· 56 三、諸子詩(shī)學(xué) ······························································· 61 第三章 先秦“詩(shī)言志”說(shuō)的綿延及其不同層面的含義 ············· 68 一、“虞庭言樂(lè)”與第一個(gè)詩(shī)歌本體論的產(chǎn)生 ························ 69 二、春秋行人賦詩(shī)言志說(shuō)詮解 ········································ 74 三、諸子各家對(duì)言志說(shuō)的各自發(fā)展 ····································· 84 四、言志與“六義” ················································· 88 五、經(jīng)典序列中的“詩(shī)言志” ········································· 91 六、《禮記·樂(lè)記》與《毛詩(shī)大序》對(duì)“詩(shī)言志”的總結(jié)與發(fā)展 ······ 93 第四章 漢儒經(jīng)學(xué)、緯學(xué)詩(shī)論 ··········································· 98 一、四家《詩(shī)》的淵源及傳授情況 ····································· 98 二、四家《詩(shī)》論的大概·············································· 112 三、四家《詩(shī)》的言志及美刺之說(shuō) ···································· 115 四、緯書(shū)詩(shī)說(shuō) ······················································ 122 第五章 《毛詩(shī)大序》的經(jīng)典價(jià)值及其成因 ···························· 126 一、《毛詩(shī)》序傳承傳詩(shī)教時(shí)代以來(lái)的詩(shī)學(xué) ························· 127 二、《大序》六義新說(shuō) ·········································· 136 三、《大序》所揭示的群體詩(shī)學(xué)原則與個(gè)體詩(shī)學(xué)原則 ·············· 142 第六章 詩(shī)歌史的早期建構(gòu) ··································· 147 一、早期關(guān)于“先王之樂(lè)”及“音樂(lè)之所由來(lái)”的敘述 ········· 148 二、孟子和鄭玄等人以“正道”為核心概念的詩(shī)史觀 ············ 150 三、班固橫亙著經(jīng)典與非經(jīng)典的詩(shī)歌史建構(gòu) ························ 156 四、司馬遷、王逸以抒情為中心的《楚辭》詩(shī)歌史建構(gòu) ········· 158 五、班固的樂(lè)府詩(shī)史建構(gòu)················································ 164 小 結(jié) ······························································· 165 第七章 兩漢至魏晉的詩(shī)賦理論 ··········································· 167 一、漢代辭賦的基本理論················································ 167 二、“詩(shī)賦”整體論抉發(fā) ················································· 172 三、“賦出于古詩(shī)”論 ·················································· 174 四、漢賦源出《詩(shī)經(jīng)》的具體表現(xiàn) ···································· 180 五、文人詩(shī)出于賦及漢魏“詩(shī)賦整體論” ··························· 183 六、賦論與詩(shī)論先后相互影響的關(guān)系 ································· 189 七、文人詩(shī)創(chuàng)作詩(shī)歌本體論發(fā)展的基本邏輯 ························ 191 第八章 南朝至唐代“人文化成”文學(xué)觀的流行歷史 ················ 198 一、《周易》文說(shuō)、人文說(shuō) ······································· 199 二、《周易》文說(shuō)在漢魏晉時(shí)代的采用情況 ························· 202 三、齊梁時(shí)期《周易》“人文化成”說(shuō)成為一種文學(xué)原理 ········ 206 四、唐初諸史對(duì)“人文化成”說(shuō)的弘揚(yáng) ······························ 213 五、“人文化成”說(shuō)在唐代文學(xué)理論中的流行與變化 ·············· 220 第九章 唐初史家與詩(shī)家對(duì)南北朝詩(shī)歌史的建構(gòu) ······················ 228 一、隋代李諤、王通對(duì)南北朝詩(shī)風(fēng)的批評(píng) ··························· 228 二、初唐史家對(duì)齊梁詩(shī)風(fēng)基本上持肯定的觀點(diǎn) ····················· 229 第十章 唐代儒家詩(shī)論及其基本范疇 ····································· 233 一、唐人繼承并發(fā)展儒家詩(shī)論 ·········································· 233 二、唐人正變之說(shuō) ···················································· 236 三、唐人風(fēng)雅之說(shuō) ···················································· 239 四、唐人采詩(shī)采風(fēng)之說(shuō) ················································ 242 五、復(fù)古與格式兩派的“六義”說(shuō) ···································· 245 六、唐人以“比興”為詩(shī)之高格 ······································· 249 第十一章 唐人詩(shī)道說(shuō)：由倫理本體論向藝術(shù)本質(zhì)論的轉(zhuǎn)化 ······ 255 一、從儒家到鐘、劉等人關(guān)于詩(shī)道的闡述 ··························· 255 二、孔穎達(dá)等《毛詩(shī)正義》對(duì)詩(shī)道的闡述 ··························· 261 三、初盛唐復(fù)古派對(duì)詩(shī)道的提倡的論述 ······························ 270 四、皎然對(duì)復(fù)古詩(shī)道的質(zhì)疑 ········································ 278 五、白居易、劉禹錫兩家對(duì)詩(shī)道的不同把握方式 ·················· 282 六、晚唐詩(shī)道說(shuō)與“詩(shī)道”一詞的流行 ······························ 286 第十二章 “吟詠情性”說(shuō)在詩(shī)學(xué)中的主軸地位（上） ············ 289 一、“吟詠情性”之說(shuō)的產(chǎn)生背景與其在先秦兩漢詩(shī)學(xué)中的位置 ························································ 291 二、南北朝時(shí)期情性本體詩(shī)學(xué)觀念的確立 ··························· 296 三、南朝性靈說(shuō)的實(shí)質(zhì) ··········································· 306 第十三章 “吟詠情性”說(shuō)在詩(shī)學(xué)中的主軸地位（下） ············ 313 一、唐代詩(shī)人：吟詠情性與裨補(bǔ)教化并舉 ··························· 313 二、唐人的“情性”“性靈”之說(shuō) ····································· 320 三、宋代《詩(shī)經(jīng)》學(xué)繼承《毛詩(shī)》一派情性說(shuō)：二程與永嘉學(xué)派 ····················································· 324 四、宋代《詩(shī)經(jīng)》學(xué)質(zhì)疑《毛詩(shī)》一派的情性說(shuō)：歐陽(yáng)修、朱熹 ························································ 332 五、宋代詩(shī)歌創(chuàng)作與批評(píng)中的情性論 ······························ 340 六、元明清詩(shī)學(xué)中性情、性靈的理論與實(shí)踐 ························ 348 結(jié) 論 ·························································· 351 第十四章 風(fēng)雅正變的詩(shī)歌史 ····································· 353 一、雅頌的理論及其后世延續(xù) ····································· 354 二、《毛詩(shī)》系統(tǒng)的變風(fēng)變雅說(shuō) ···································· 355 三、漢代王朝雅頌興起于文人個(gè)體創(chuàng)作之前 ························ 360 四、漢魏文人詩(shī)對(duì)風(fēng)雅傳統(tǒng)的繼承：崇正而實(shí)變 ·················· 366 五、歷代王朝政治的循環(huán)規(guī)律與詩(shī)風(fēng)的正變 ························ 370 后 記 ························································ 374